Original Comic Art for Sale
Bruce! has been collecting original comic art covers, pages and commissions for over a decade. There's not enough room on his walls to hang the hundreds of Covers, Pages & Commissions, and it's a shame to keep them all hidden away.

FEATURED ART & ARTISTS
This Page:


ANIMAL MAN
BRIAN BOLLAND
Grant Morrison
Chaz Truog
Coyote Gospel
Psycho Pirate

Gabriel Ba
Daniel Acuna
Cameron Stewart
Aaron Lopresti
Billy Tucci


MORE ARTISTS AVAIABLE
See PAGE 2 (Links top & bottom), or
Please Email
for More Info


Adams, Neal
Alcala, Alfredo
Amash, Jim
Anderson, Brent
Andru, Ross
Aparo, Jim
Bagley, Mark
Bair, Mike
Baker, Kyle
Balent, Jim
Banks, Darryl
Beatty, Terry
Benes, Ed
Bennett, Andy
Bigley, Al
Blalock, Josh
Boller, David
Brown, Bob
Buckingham, Mark
Burcham, Newton
Burchett, Rick
Buscema, John
Buscema, Sal
Busch, Matt
Buzz
Byrne, John
Califiori, Jim
Cannon, Kevin
Cannon, Zander
Cardy, Nick
Cariello, Sergio
Castillo, Tommy
Chiang, Cliff
Cockrum, Dave
Colan, Dave
Cook, Katie
Cool, Anna Maria
D'Anda, Carlos
DeCarlo, Dan
DeCarlo, Mike
DeMulder, Kim
Dillin, Dick
Dodson, Terry
Donovan (Aucoin), Derec
Dorian, Ian
Dunn, Ben
Eisner, Will
Fisher, G.W.
Foust, Mitch
Garcia-Lopez, Jose Luis
Giarrusso, Chris
Giordano, Dick
Gleason, Patrick
Golightly, Holly
Gorby, Brad
Greene, Sanford
Grindberg, Tom
Gross, Peter
Grummett, Tom
Guice, Jackson
Ha, Gene
Haley, Matt
Hamner, Cully
Hampton, Bo
Haun, Jeremy
Hazlewood, Doug
Heck, Don
Hester, Phil
Hitch, Bryan
Howard, Josh
Hughes, Adam
Infantino, Carmine
Jeanty, Georges
Johnson, Drew
Jones, Casey
Kaluta, Michael
Kane, Gil
Kano
Kirk, Leonard
Koslowski, Rich
Ku, Min
Kuper, Peter
Lago, Ray
Lee, Andy
Leialoha, Steve (Fables)
Lim, Ron
Locke, Vince
Lopresti, Aaron
Luna, Jonathan
Lyle, Jim
Mack, David
Magno, Carlos
Maguire, Kevin
Mahfood, Jim
Mahnke, Doug
Marrinan, Chris
Martin, Jason
Massey, Devon
Mayerick, Val
McKenna, Mark
Medina, Angel
Medors, Josh
Melo, Adriana
Middleton, Josh
Mooney, Jim
Moore, Terry
Moreno, Chris
Mortimer, Win
Moy, Jeffrey
Moy, Phil
Moyer, Lee
Mychels, Marat
Noto, Phil
Novick, Irv
Parent, Dan
Parsons, Dan
Paszkiewicz, Doug
Phillips, Joe
Reis, Ivan
Rich-McKelvey, Christopher
Richmond, Tom
Rio, Al
Robbins, Frank
Robinson, Jimmy
Rogers, Marshall
Romsa, Ty
Root, Budd
Rosema, Scott
Rousseau, Craig
Ryan, Pal
Saiz, Jesus
Sandroni, Marc
Saviuk, Alex
Seeley, Tim
Sekowsky, Mike
Severin, Marie
Shores, Syd
Sohn, Allison
Sook, Ryan
Sparacio, Mark
Spilker, Chad
Staton, Joe
Stelfreeze, Brian
Suydam, Arthur
Swan, Curt
Talibao, Harvey
Thompson, Jill
Trimpe, Herb
Tripani, Sal
Truog, Chaz
Tucci, Billy
Tuska, George
Velluto, Sal
Vines, Dexter
Wallace, Loston
Warren, Adam
Whitney, Ogden
Wolfe, Marc
Yan, Stan
Zimmerman, Randy
Zulli, Michael




Hundreds of Pieces Available
If you are a fan of a particular artist and you don't see him or her listed, please contact Bruce at Bruce@comiczar.com


ORIGINAL COMIC ART FOR SALE - COMICZAR.COM

Click Name to Jump Down to that Page...

THIS PAGE - The COVERS: Daniel Acuna - Gabriel Ba - Brian Bolland - Stewart - Lopresti - Tucci
Animal Man Pages - Issue #5 "Coyote Gospel" - Psycho Pirate, Grant Morrison - More
NEXT PAGE - CLASSIC MASTERS. (Click the name here to jump to next page.)
Neal Adams - Jim Aparo - John Buscema - Sal Buscema - Bob Brown - John Byrne - Dave Cockrum - Gene Colan - Dick Dillin - Jose Garcia-Lopez - Don Heck - Carmine Infantino - Gil Kane - Irv Novick - Marshall Rogers - Mike Sekowsky

Please Email BRUCE@COMICZAR.COM with any Questions

Click image for close up view




 
FREEDOM FIGHTERS #6 COVER
$1,500.00
ARTIST: DANIEL ACUNA
Cover to Uncle Sam and the Freedom Fighters #6 (2006) by Daniel Acuna. This artist does not sell any of his art, and this was his contribution to the Comic Book Legal Defense Fund Art Auction at San Diego Comic-Con 2007. This is literally a one-of-a-kind item, as you can be one of a select few to have any of Daniel's original art.





 
CASANOVA (v.1) #3 COVER
$1,500.00
ARTIST: GABRIEL BA
Brazilian Gabriel Ba, the hot artist of Umbrella Academy and Daytripper, together with his brother Fabio Moon first came to the attention of American comic fans with Casanova in 2006. This is one of the few examples of Ba's art that has ever been made available.






 
ANIMAL MAN #29 COVER
$3,500.00
ARTIST: BRIAN BOLLAND
Brian Bolland was one of the first comic artist to go all-digital for his artwork, so his original artwork is rarely sold. Covers are even rarer, and this is a fine example of his distinctive covers for the unusual Animal Man series (1990).






 
SEA GUY (v.1) #2 COVER
$995.00
ARTIST: CAMERON STEWART
The most distinctive and recognizable work of Eisner Award-winning Cameron Stewart ("Sin Tutulo" 2010) has been on Grant Morrison's two unusual mini-series Sea Guy. This is a fantastic example of Cameron's covers from the first volume, 2004.





 
AARON LOPRESTI - GEN 13 BOOTLEG #11 Cover
$495.00
Aaron Lopresti has become one of the most recognizable and desirable artists for DC's current comics. You can see his art on the covers for Adventure Comics and Superman: Last Stand of New Krypton, as well as interior art for Justice League: Generation Lost.

This is a highly-detailed and dynamic cover for GEN13 Bootleg #11 (Sept. 1997). Some of Aaron's best work.






 
BILLY TUCCI - SHI JU-NEN TPB COVER
$995.00
Artist for DC's Jonah Hex, Sgt. Rock: The Lost Battalion, Billy Tucci is best known for his creator-owned project, Shi. The story of the exotic femme fatale was the hottest comics in the 90s, and for more than two years Shi: The Way of the Warrior #1 remained atop Wizard Magazine's Top Ten Comics list. (A record for any single issue that still stands to this day.)

This is the original pencil work for the cover to Shi:Ju-Nen Trade Paperback (2005).



ANIMAL MAN #5 - "COYOTE GOSPEL" - Eight Pages from One of the Most Important Modern Comics





 
ANIMAL MAN #5, PAGE 1
$350.00
ARTIST:
This is the first page of the award-winning "Coyote Gospel" story, where the title-character's hunter sets up the entire story.

Condition: Artwork is on oversized (approx 12" x 20") and in great shape for its quarter-century of life. All pages from this issue...






 
ANIMAL MAN #5, PAGE 6
$350.00
This page first introduces two themes that would resonate through Animal Man's entire series: First, that he is an devout vegetarian. Second, he is a little "offbeat", and not your normal superhero.

All Pages Condition, cont.: ... are slightly cepia-toned (undoubtedly because the board the artist used was heavier






 
ANIMAL MAN #5, PAGE 8
$350.00
The conclusion of the scene introducing Buddy's vegetarianism and eccentric personality.

All Pages Condition, cont.: ... than the normal 11" x 17" stock: unusually large for comic art of the day, to accommodate the fine detail he employed.






 
ANIMAL MAN #5, PAGE 11
$650.00
One of the most important scenes in the book, where the hunter loads his rifle and takes aim at the unsuspecting coyote... until sensing something and turning... Too late!

All Pages Condition, cont.: ... The slightly-darkened tone of the paper, however, does not affect the art itself.






 
ANIMAL MAN #5, PAGE 12
$750.00
The second part of one of the most important scenes in the book: The coyote is shot and - like all good Warner Bros. cartoons - falls to his imminent doom in the canyon below.





 
ANIMAL MAN #5, PAGE 15
$650.00
Another significant scene in Act 2, where the coyote trips the wire that blows him up. The hunter realizes the futility of the hunt on this page, but cannot stop the coyote in time.





 
ANIMAL MAN #5, PAGE 16
$750.00
The conclusion of the explosion scene, where the coyote rises from the ashes. Many people recognized the metatextual elements of this scene as Morrison's equating it with the resurrection of Jesus. (It is clear that the implication was intentional, as the cover of the issue clearly depicted a "crucified" Animal Man.)





 
ANIMAL MAN #5, PAGE 23
$750.00
The fatal shot from the lunatic hunter, and the coyote's realization that he will not survive this blow.


MORE ANIMAL MAN PAGES from GRANT MORRISON'S SEMINAL RUN: Morrison Breaks the Fourth Wall, Psycho Pirate, and MORE!





 
ANIMAL MAN #4, PAGE 25
$250.00
ARTIST:
Ellen & Buddy with a kitten, after the B’Wana Beast adventure.







 
ANIMAL MAN #15, PAGE 5
$850.00
Very detailed splash with AM entering a bar after knocking out the bad guys with a sonic clap. Matted with a copy of the color page and details and logos.





 
ANIMAL MAN #18, PAGE 19
$500.00
Animal Man in full costume, in a dream-walk with Native American Kachinas.





 
ANIMAL MAN #20, PAGE 7
$250.00
Buddy on the bathroom floor, coming to terms with his powers.





 
ANIMAL MAN #23, PAGE 1
$750.00
Splash of Psycho Pirate, surrounded by panels, as he puts on the mask and prepares to cause havoc.





 
ANIMAL MAN #26, PAGE 17
$1,000.00
Final issue of Grant Morrison's run on the book, with the author breaking the 4th wall and explaining to Animal Man he’s just a comic character.





 
ANIMAL MAN COMMISSION - Chaz Truog
$100.00
A nice commission of the character that Truog helped put on the map, Animal Man.





 


From RIDDLE ME THIS, Bruce MacIntosh's Compendium of DC Comics B-List Characters:

"Crisis on Infinite Earths (1985) wiped out most ancillary characters and all of the alternate versions of the main characters in the company’s line. Animal Man survived, however, and returned in a big way as part of the “British Invasion” of comics writers during the decade of the 80s. In his foreword to the first Animal Man trade (which paraphrased the preface to the second issue of the original comic) writer Grant Morrison recounted the character’s renaissance back in 1988:

'In 1987, at the height of the critical acclaim for Alan Moore’s work on Swamp Thing and Watchmen, DC Comics dispatched a band of troubleshooters on what is quaintly termed a ‘headhunting mission’ to the United Kingdom. The brief was to turn up the stones and see if there weren’t any more cranky Brit authors who might be able to work wonders with some of the dusty old characters languishing in DC’s back catalogue. As one of those who received the call that year, I had no idea who I might dig up and revamp. On the Glasgow to London train, however, my feverishly overstressed brain lighted upon Animal Man. This minor character from the pages of Strange Adventures in the 60s had always, for heaven only knows what murky reasons, fascinated me and, as the train chugged through a picturesque landscape of Tudor houses and smiling bobbies on bicycles, I began to put together a scenario involving an out-of-work, married-with-children, third-rate super-hero who becomes involved with animal rights issues and finds his true vocation in life.'

"Morrison went on to describe that the conceit was initially intended to last through only a four issue mini-series. However, those first four issues were so popular that DC wanted to continue it as an ongoing monthly. Morrison gladly complied and proceeded to help turn the comics industry upside down. (He wasn’t alone in this endeavor, of course, as he had a lot of help from fellow creators such as Neil Gaimen, Frank Miller, Alan Moore, et al.)

"Morrison – with forgotten hero, artist Chas Truog – then created in Issue #5 what has been widely acclaimed to be one of the wildest (and most popular) single stories “The Coyote Gospel”. This began the metatextual storyline that would last through the remainder of Morrison’s 26-issue run, which broke down the fourth wall and crossed the boundaries between the different levels of fiction. A thinly-disguised version of the Roadrunner’s lupine arch-nemesis found himself in Buddy Baker’s world confronting not only his own mortality, but his personal deity. The cartoon literally met his maker – the cartoonist – and found that his god can be capricious and insensitive.

"Reader reaction to Animal Man #5 was overwhelming, as the letter column in #8 demonstrated. (Letter columns lagged behind about three months.) In fact, the assistant editor in charge of letter columns had to prune most of them to fit in as many comments as possible. Reactions ran from political to metaphysical, as each reader took away something different from “The Coyote Gospel”. But everyone caught the analogy between “Crafty” Coyote and the martyred Christ. One observant and philosophical reader noticed “the irony of Crafty Coyote’s human assassin on his own personal crusade against a ‘devil’, praying ‘Sweet Jesus, don’t let me miss.’”

"Another reader noticed the messianic metaphor of Crafty being run over in an intersection: “Crafty died on the cross for his people…” Other readers likened the Coyote to the Suffering Hero of classic literature, such as “Prometheus, Loki, Atlas, the crucified Christ, etc.” and “I am astounded at the variety of sources you have managed to incorporate into a mere 24 pages. Warner Brothers cartoons mesh seamlessly with the archetypal Prometheus myth. Add to that some metaphysical speculation about destiny and the workings of an omnipotent deity, and you have a truly remarkable achievement.”

"All was not metaphysics in the Animal Man series, and Morrison was able to include some good old superhero action occasionally, as he went up against the likes of B’Wana Beast and Mirror Master, and teamed with other forgotten heroes, Dolphin and Vixen. Morrison was able to instill in the character of Animal Man a sense of purpose usually absent from other superheroes, as he became a devout vegetarian and animal rights activist. He also learned from a scientist that his connection with animal life was more intense since his contact with what is called the Morphogenic Field. (A morphogenic field is like an electromagnetic field, in that it theoretically surrounds living organisms and carries and conveys information to other organisms. For Animal Man, it would explain why he would be able to sense an animal without actually seeing it, and why he could absorb an animal’s unique abilities from a distance and without any physical contact.)

"Morrison continued to weave through his run on the Animal Man series the theme of comic creator as The Creator in the “eyes” of His creations, the comic characters. Morrison concluded the metaphysical metaphor and his run on the series after 26 issues, with A-Man literally meeting his maker – Grant Morrison himself. Animal Man learned he was merely a comic character after Morrison revealed that had previously been a resident of limbo with the rest of DC’s forgotten pre-Crisis characters... Buddy had been rescued by the deific writer, giving hope to those and other characters that they could also someday return to the 'real world'.

"Over his two-year run, Morrison managed to make Animal Man the philosophical Center of the DC Universe, and helped establish comics as a “serious” medium. In the process, his stories truly “spoke” to the legion of readers who had been desperately searching for comics as literature – something that spoke to them like adults."




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